Building Codes

Sizing Rafters- NZS 3604:2011   Building Code- NZS 3604

The journey- Continuation

First impressions The sketches is to show my final design Concept .  I will be building a roof structure that stretches along the ramps of the Arataki visitor center. The design will be made up of recycled wood that will be cut into rectangles Auckland. The branches will be placed all over the roof  as…

Possible designs

I want to continue with the  roof aspect of our previous proposal, but instead transfer and develop the concept on the outside ramps.. Initial idea- entrance way my initial idea was to re-design the entrance but i quickly dismissed that idea as i was not complete invested in the idea.  two ways that i wanted…

Upper level- The void in between

In the story of Rangi-nui and Papa-tu-a-nuku, there is no light at the beginning, with Papa-tu-a-nuku, the Earth Mother, and Rangi-nui, the Sky Father, lying so tightly entwined that light had no space to expand into except perhaps in bursts or flashes within fluctuating crevices. As they were separated by Tane-nui-a-Rangi, there becomes a ‘void’…

Concept Development

We decided to change the water feature by removing the glass and creating a pathway that you can walk on instead. This was decided because we thought that the sound of the water running through the room was a important sensory and is crucial a part of designing the experience.   Information Looking at ways…

Concepts

We have 3 areas that we are re-designing that we have sub-divided amongst our group, these areas include: entrance area- Ayesha and Sajini the design the ramps (outside)- Audry and Javani re-designing the upper level- Rica, Elly and Carla In my group we are are tackling the upper level. Ideation   These sketches are two…

Theory:Annotations

Bachelard, G. (2002). The dialect of imagery energies: The resistant world. Dallas institute of Humanities and culture, 13-26. Gaston Bachelard, speaks inference to phenological and psychoanalysis. In this he looks at understanding ways in which we can activate our unconsciousness. He uses hard and soft to actively engage us to our surrounding and how we…